9:45pm, it’s a Tuesday, the sun has gone now for hours, the chilling darkness encroached and dominated the light; a battle it rarely loses, the light just does a little better or worse each time. I waited for father’s authoritarian eyes to close, rejoicing that I could finally exhale fully, and made for the basement door. I call it “splinter board” the plain brown door has an impressively frayed bottom edge where small fragments wrenched themselves free because the door doesn’t open through its full range of motion; the bare, pale tile obstructs the door from opening any further. The light at the top of the stairs remains off, I’ve descended these stairs numerous times; the third from the top creaks viciously, avoidance is key, the 7th is a trap step, second to the last, it produces a sinister groan that reverberates throughout the house. The concrete floor is cold and in the dark I shiver but for a moment, swiveling to my right around a lowly coffee table and a box full of miscellaneous items; a clipboard with nothing on it, a stopwatch, Spanish vocabulary cards. I wave my arm in the dark for a relatively small (or large depending on your position) washer tied to a string responsible for operating the lights over the workbench. There the preparation begins.
The workbench itself is a pale blue, far from brilliant, half a century of repairs, odd jobs, and tinkering has left the station battered and scarred. Its now littered with power tools, paint cans, and other miscellaneous instruments; none of which I happen to be interested in. Above the bench hangs two cabinets, side-by-side, the left holds nothing but a few hooks and clasps; the right holds what I seek. It looks like a showcase; two shelves, holding paraphernalia that looks like it belongs in a chemistry lab. Shimmering glass, flame producing torches, metal pieces, and plastic containers, which are stained from frequent use. A line up such as this, choices upon choices of which instrument to utilize, there is no wrong decision. I select a short, skinny beaker, a torch and a severely weathered Altoids mint tin. Opening the tin, a floral aroma wafts up warming my nose, there is a plastic bag inside the tin, and two small green flowers are inside. The skinny glass container holds a blue chalice, into which the flowers are to be ground and placed.
Water occupies the bottom quarter of the glass tube, but the water level is not intended to exceed its current level, it has be destined to be unfulfilled, incomplete and the top of the beaker is open, further enforcing the fact that this is a lacking instrument. I crack the cellar window to the left of the bench; the sacrifice is strong and distinctive to the nose, slightly acrid. The green flowers are ceremoniously pulverized, their small petals curl around each other, forming a cluster, glistening in the light reflecting the gem-like flecks. The minced flower, resembling something close to a coarse powder, is scooped into the chalice, compacted slightly, and “topped off” the vessel is then joined with the tube. A small docking stem protrudes from the front of the beaker, the bowl inserts into the stem, a male phallic piece for the female chalice. This union denotes that the time for sacrifice has come.
The beaker sits on the workbench, stoic, it knows it is a tool, to be used and, in the event of failure to function properly, to be discarded and replaced. Torch in my right hand, I ignite the flame, holding it to the top of the chalice, placing my mouth over the opening, creating a tight seal, drawing thin breath. I extinguish the fire, leaving the flowers to glow bright red, fueled by my breath drawing vapors into the tube. The cylinder is now filled with a milky white/gray cloud, swirling about. I remove the bowl, now filled with only ash and set it down on the bench, simultaneously vacuuming the vapors out of the tube. The cloud is not fluffy, it is not gentile, it sweetly chars the back of the throat, the longer it is held in, the more it will lash back against its captor. I have underestimated, yet again, how retributive the cloud can be, coughing loudly, repetitively into a towel to muffle the otherwise deep robust hacking. I refill the chalice two more times, coughing less and less, as the vapors have settled down and acclimated themselves in my lungs. The tools are cleaned to a satisfactory state and replaced in their concealed showcase.
By now a sedative haze has enveloped every fiber of my body; my movements have become rounded and lethargic, my speech, if I had an accomplice, would undoubtedly be slow, deep and slightly raspy; my eyes have glazed and shaded themselves, even in the dull low lighting. Slide the window shut, and turn the lock, pull the washer down and extinguish the light. Unlike before my equilibrium has been tainted, and I grope in the dark for the landmarks that I so deftly outmaneuvered earlier. I remember the pattern of the stairs, 8, 6, 5, 4, 2, 1, as I ascend, I feel as though a weight has been lifted off of my chest, despite an ever so slight tightness within my ribcage, the sacrifice has been accepted, I’ve paid the tribute. The lights are already off, I would have forgotten them in any case; their being left on irked me far less than father who seems to be on a jihad to remain in as much darkness as possible, for as long as conceivably possible. I jostle the splinterboard from the tile that stops it from opening fully, closing it, not fully, letting it swing back, trivially ajar. The irony that I must descend in order to re-ascend farther to reach my summit dawns upon me, I audibly chuckle, feeling satisfied that the means have justified their end sufficiently enough.